

 Using the same basic position of Indian hands, place your pointer finger in the middle of your forehead with your palm
Using the same basic position of Indian hands, place your pointer finger in the middle of your forehead with your palm  up.  It doesn't necessarily imply you have a headache that's just a cute name.
up.  It doesn't necessarily imply you have a headache that's just a cute name. Simply point where you want to draw attention.  For example your doing a 4/4 hip shimmy, raise your arms gracefully
Simply point where you want to draw attention.  For example your doing a 4/4 hip shimmy, raise your arms gracefully  above your head then drop the hands downward and point then slowly
above your head then drop the hands downward and point then slowly  lower your arms while still pointing till your finger is just hovering above
lower your arms while still pointing till your finger is just hovering above  the hips.  this draws the focus down into the movement adding emphasis
the hips.  this draws the focus down into the movement adding emphasis  and making the movement more dramatic. You can also point for emphasis
and making the movement more dramatic. You can also point for emphasis in a song.  For example in 'Ya nour el ein' by Amro Diab you can point to
in a song.  For example in 'Ya nour el ein' by Amro Diab you can point to the eyes to emphasize the chorus of "habibi ya nour el ein" or "my darling
the eyes to emphasize the chorus of "habibi ya nour el ein" or "my darling  you are the light of my eyes."  Many people do not recommend pointing at
you are the light of my eyes."  Many people do not recommend pointing at audience members but it can be a cute way to make the audience feel part
audience members but it can be a cute way to make the audience feel part  of the show to point at someone when a song says habibi.
of the show to point at someone when a song says habibi. Place the backs of your hands together so that your palms are  facing out
Place the backs of your hands together so that your palms are  facing out now keeping hands facing the same directions place palms together.  Then
now keeping hands facing the same directions place palms together.  Then raise arms over head.  You can keep the backs of the hands together or you
raise arms over head.  You can keep the backs of the hands together or you can separate them a little to give it a more crossed arm look.  See the video
can separate them a little to give it a more crossed arm look.  See the video  for "Temple Arms" it shows the latter variation.
for "Temple Arms" it shows the latter variation. Place palms together and raise arms over head.  It is common to see
Place palms together and raise arms over head.  It is common to see  dancers bring their palms together as if they were praying at the hip or
dancers bring their palms together as if they were praying at the hip or waist level and then to raise the arms slowly in front of the body until they
waist level and then to raise the arms slowly in front of the body until they are overhead.  This gives a dramatic effect.  It's often used when a dancer
are overhead.  This gives a dramatic effect.  It's often used when a dancer wants to show spirituality and is frequently used in pharonic and goddess
wants to show spirituality and is frequently used in pharonic and goddess dances.  See the video for "The Turkish Move" to see this.
dances.  See the video for "The Turkish Move" to see this. This is a pose you do when you want to emphasize how much you love
This is a pose you do when you want to emphasize how much you love  something.  You can accomplish it simply by cupping your hand under your
something.  You can accomplish it simply by cupping your hand under your left breast.  You can use either hand but usually it's done with the right hand
left breast.  You can use either hand but usually it's done with the right hand reaching across the body.
reaching across the body. Touch the tips of your middle fingers together and then touch the tips of your thumbs together.  Your hands should
Touch the tips of your middle fingers together and then touch the tips of your thumbs together.  Your hands should  now  resemble the outline of a pyramid or triangle.  Now, raise your arms
now  resemble the outline of a pyramid or triangle.  Now, raise your arms  over your head.
over your head. Place left arm out in front of you creating a horizontal line in front of your
Place left arm out in front of you creating a horizontal line in front of your  chest and curve your right arm over your head.  This is often used in
chest and curve your right arm over your head.  This is often used in  conjunction with basic Egyptian alternating which arm is in front.  It is
conjunction with basic Egyptian alternating which arm is in front.  It is  also a very common position of the arms for Egyptian Saidi style
also a very common position of the arms for Egyptian Saidi style  bellydance.  See the video for "Saidi Arms" to see this demonstrated.  Other
bellydance.  See the video for "Saidi Arms" to see this demonstrated.  Other variations are to Place the lower arm out to the side instead of out in front.
variations are to Place the lower arm out to the side instead of out in front. The side variation is especially common if your moving to the side in which
The side variation is especially common if your moving to the side in which it sort of points your way.  The arm can also alternate between these two
it sort of points your way.  The arm can also alternate between these two positions which works well when doing forward backward alternations or
positions which works well when doing forward backward alternations or  forward sideways alternations.
forward sideways alternations. This is a pose you do when you want to emphasize how much something touches your soul or moves you in a spiritual
This is a pose you do when you want to emphasize how much something touches your soul or moves you in a spiritual way.  You can accomplish it simply by cupping your hand over your lower abdomen (generally closer to your side as
way.  You can accomplish it simply by cupping your hand over your lower abdomen (generally closer to your side as opposed to the center).
opposed to the center). Clasp your right elbow in the palm of tour left hand and keep the  right arm in a fairly straight vertical line.  Keep the
Clasp your right elbow in the palm of tour left hand and keep the  right arm in a fairly straight vertical line.  Keep the left arm in a fairly horizontal line.  You can also point your finger back and actually touch your forehead like the
left arm in a fairly horizontal line.  You can also point your finger back and actually touch your forehead like the Lebanese headache which works especially well when doing movements
 Lebanese headache which works especially well when doing movements like a hip push to the back and looking back towards the movement.
like a hip push to the back and looking back towards the movement. Place the palms together.  Now twist the hands so that you can tuck one
Place the palms together.  Now twist the hands so that you can tuck one thumb under the other hand.  The fingers should line up with each other still
thumb under the other hand.  The fingers should line up with each other still (i.e. pinky to pinky, ring to ring, middle to middle).  Clasp the other thumb
(i.e. pinky to pinky, ring to ring, middle to middle).  Clasp the other thumb  down on the knuckles  to put pressure on the pointer and then attempt to
down on the knuckles  to put pressure on the pointer and then attempt to  snap the two pointer fingers.  When done correctly this produces a very
snap the two pointer fingers.  When done correctly this produces a very loud snap which sounds almost like a pop.  This is very common in Persian
loud snap which sounds almost like a pop.  This is very common in Persian  and Iranian dances.  It takes a lot of practice to get just right and you may
and Iranian dances.  It takes a lot of practice to get just right and you may need to work on strengthening your fingers and increasing their flexibility
need to work on strengthening your fingers and increasing their flexibility to do this properly.  don't get frustrated if it doesn't come quickly.
to do this properly.  don't get frustrated if it doesn't come quickly.